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"But he had no right to call us savages, Ma," protested Billy. As he climbed the rail fence his eyes swept the Settlement below, resting at length on the jail-like wall in the edge of the Scroggie timber, above which the tall derrick protruded like a white, scarred face. "Humph!" he mused, "Scroggie and Hinter must either have struck water, or give up. Their rig's quiet after chuggin' away day and night for weeks." "'Course it's a lot too much. S'pose we try on' get hold of some of it, Bill?".

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She nodded. "I suppose I should have called to you, but I had forgotten what I had heard about this grove being haunted and that I was dressed all in white. But when I came to you and saw your face I knew that you were frightened." Lucy had related much, but she had much more to tell, and she narrated to her father fresh stories of her madness, and drew several graphic pictures of Mr Lawrence whilst he laboured under the various sensations her genius as an untutored artist excited. She spoke with contempt of Mr Eagle, whilst she had little or nothing to say about Mr Pledge. Her narratives were marked by a strong leaning in favour of Mr Lawrence. Her father could not mistake. Her prejudice, indeed her fondness, was expressed not so much in her admirable recitals and her references to the dignified and gentlemanly manner with which Mr Lawrence had treated her, with which he had received her aggravating, indeed her venomous, references to his past and present conduct, as in the pause, the soft, thoughtful smile, the brief exclamation, the sigh, and[Pg 408] now and again the little but significant remark. "I dunno. He jest laughed an' sailed away ag'in. I don't know where he got it but I do know good gold when I see it, Willium. Twenty dollars! Ain't it splendid?" "Oh shucks! What's the use of thinkin' 'bout that now? We've gotta catch them robbers first, ain't we?".